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Crash 1996 Uncut
Crash 1996 Uncut






Crash 1996 Uncut
  1. Crash 1996 Uncut movie#
  2. Crash 1996 Uncut drivers#
  3. Crash 1996 Uncut driver#

Crash 1996 Uncut drivers#

It also turns out that Vaughn has a peculiar fetish for cars, car accidents and the victims as he hosts regular re-enactments of celebrity car crashes using stunt drivers and actors, these shows bringing James, Helen and Catherine into contact with several people who share this kink and before long Ballard is a full-on follower of Vaughn and his cult-like philosophies, leading himself and Catherine towards the inevitable sexual high that they have been craving.

Crash 1996 Uncut

Whilst James and Helen are both recovering in hospital they meet photographer Vaughn (Elias Koteas – The Thin Red Line), who takes an interest in their injuries, and when they leave the hospital they start an affair, fuelled by their shared experience in the crash and by being in cars themselves.

Crash 1996 Uncut driver#

However, all of that changes when James is involved in a car accident, killing the driver of the other car and injuring the passenger, his wife Helen (Holly Hunter – Batman vs. Ballard, has David Cronenberg’s fingerprints all over it, from the twisted perversions of its lead characters and the coldness of the performances through to the matter-of-fact way the story unfolds and, of course, the use of the cars themselves (David Cronenberg is a motorsport enthusiast).Īnd what is this plot? Well, James Ballard (James Spader – Wall Street/ Pretty in Pink) is a film producer in an open marriage with his wife Catherine (Deborah Kara Unger – Payback), but neither person seems to get the satisfaction they crave. Crash very much falls into the latter category and, despite being based on the transgressive novel by J.G. Like with most films made by a Cronenberg the plot, when written down, looks to be something of – at the very least – an oddity or at the other end of the spectrum, the workings of a deranged genius.

Crash 1996 Uncut movie#

The Crash controversy was significant for the way it publicly revealed the often conflicting structures of British film regulation, and the supremacy of local government over the BBFC and national government, neither of whom had any real powers when it came to preventing the release of a film.Starring James Spader, Holly Hunter, Elias Koteas, Deborah Kara Unger, Rosanna Arquette, and Peter MacNeill.Ī couple looking to spice up their sex life discover an underground cult of car crash victims who get sexual thrills out of road traffic accidents.Ī timely release given that Brandon Cronenberg’s sublime Possessor has hit digital platforms to positive reviews this month, with Arrow Video have delving into his father’s back catalogue to add David Cronenberg’s controversial 1996 movie Crash to their ever-growing roster of 4K UHD releases. It was subsequently passed uncut for video and DVD release and screened on Channel Four in 2002. However, Camden and Kensington & Chelsea were happy to accept the BBFC's decision, enabling distributors Columbia TriStar to open the film in the West End. The BBFC, after a long delay, passed it uncut in March 1997, after which Westminster duly banned the film, with other local authorities following suit. This, coupled with Daily Mail critic Christopher Tookey's injudicious use of the phrase "sex with cripples", drew the disabled lobby into the fray, though they seemed more offended by comments by the council and the newspaper than by anything in the film.

Crash 1996 Uncut

The row would become a political issue when National Heritage Secretary Virginia Bottomley urged local authorities to refuse to screen the film, and Westminster Council took the unprecedented step of threatening to ban it unless specific cuts were made, notably a sex scene involving a disabled woman. David Cronenberg), based on J.G.Ballard's celebrated novel, became the focal point of one of the most hysterical furores that British film censorship had seen to date.Īlthough it had generated some controversy when premiered at the Cannes Film Festival in May 1996, it was not until the first British screening at the London Film Festival in November that the film became a tabloid cause celebre, with the Daily Mail and Evening Standard in particular attacking it on a regular basis, often on the front page. How the authorities tried (and failed) to ban a notorious Canadian filmīetween 19, Crash (Canada, 1996, d.








Crash 1996 Uncut